Therefore, as these chords modulate through the keys they create a wonderful feeling of movement while offering stability since they are always sharing voices and they can also pivot or come to a point of rest virtually anywhere.
Which sure is a wonderful harmonic device for us composers to have at our disposal.
Please note that these suspended 4th chords can also be identified as suspended 2nd chords by a different name, thereby opening up even more avenues for root and bass motion variations, etc...
I have identified additional chord type movements using this approach that I will more than likely post as well at a later date. Please sequence this and try creating your own compositional framework
in addition, through rhythmic alterations, etc... and without doubt you will enjoy it. Guaranteed!